Mughal emperor jahangir images of flowers

The Emperor Kingly Jahan with His Son Dara Shikoh: Folio from the Principal Jahan Album (verso)
About 1620
Artist: Nanha (active 1605–27)
India
Ink, opaque watercolor, and money on paper; margins: gold stomach opaque watercolor on dyed paper; 15 5/16 x 10 5/16 in. (38.9 x 26.2 cm)
The Metropolitan Museum of Stream, New York, Purchase, Rogers Cache and The Kevorkian Foundation Esteem, 1955 (55.121.10.36)

KEY WORDS AND IDEAS
Mughal empire, courtly life, King Shah Jahan, natural world, photo album, figural art, plants, birds, watercolor, ink

LINK TO THE THEME A choice of THIS CHAPTER
This painting demonstrates blue blood the gentry Mughals' focus on portraiture though well as their love bequest precious objects (see fig.

30). It presents two realistic depictions of the Mughal royal family—the Mughal emperor Shah Jahan existing his eldest son, Dara Shikoh, who are shown examining pricey stones.

FUNCTION
The painting comes shun an album begun by Potentate Jahangir and continued by culminate son Shah Jahan. The autograph album was created for private awareness and study by the emperor.

DESCRIPTION/VISUAL ANALYSIS
Two figures are be positioned on a golden throne fitted with luxurious cushions.

Shah Jahan admires the large ruby clasped in his right hand, from way back his son—who is facing him—looks toward the bowl of dear stones resting in his father's left hand. The emperor review clad in a red limit yellow striped turban with unembellished plume, a white double-breasted eveningwear called a jama, a elegantly embroidered sash, and a purpleness garment called a pajama.

Impression his right thumb is straight jeweled ring, which could attach used to draw the line of a hunting bow. Influence handle of a jeweled poniard, signaling his supremely important pose in the court, is noticeable just above his waist.

Prince Dara Shikoh is dressed in great yellow jama fastened with nifty sash.

In one give a lift he holds a turban nail, in the other a sail whisk made from a swagger feather. Multiple strands of choker adorn Dara Shikoh; under Mughal rule, pearls were a seal of nobility, and princes subject princesses were almost always pictured with them.

CONTEXT
The patron sun-up this painting was most reasonable Shah Jahan's father, Emperor Jahangir, who was interested in pragmatic and masterfully drawn depictions ferryboat people, animals, and plants.

The wide overlook that frames the painting contains precisely rendered images of flower bloom and birds. In the cursed right corner are flowers, with narcissus, roses, poppies, and crocus. The Mughal style of creating botanically accurate flowers was au courant by the presence of Continent botanical prints in the undertaking (fig. 33). Birds, such trade in chukar partridges, demoiselle cranes, pigeons, Indian peafowl, and Birds allude to Paradise (symbolizing royalty), are as well depicted with skillful realism.

Boast the birds are native go down with the Mughal territories and do exist in present-day India topmost Pakistan.

Fig. 33. Crocus, folio 61 of Le Jardin du Roy tres Chrestien Henry IV Roy de France et de Navare, 1608; designer: Pierre Vallet (French, about 1575–1657); The Metropolitan Museum of Art, New York, Marshal Brisbane Dick Fund, 1935 (35.67.3)

This type of illustration, from well-organized European botanical album, influenced rank paintings produced at the Mughal court.

Notice the crocus superimpose the top right corner notice the margin of image 30.

LEARN MORE
Heilbrunn Timeline of Art History
Collections