Jadugar balma shamshad begum biography


Shamshad Begum

Indian playback singer

Shamshad Begum (Urdu: شمشادبیگمچ, IAST: Śamśād Bēgam; 14 April 1919 – 23 Apr 2013)[3][4][5] was an Indian minstrel who was one of illustriousness first playback singers in interpretation Hindi film industry.

Notable undertake her distinctive voice and grouping, she sang over 6,000 songs in Hindustani, Bengali, Marathi, Gujerati, Tamil, and Punjabi languages, in the midst which 1287 were Hindi album songs.[citation needed] She worked matter renowned composers of the purpose, such as Naushad Ali nearby O.

P. Nayyar, for whom she was one of their favorites. Her songs from honourableness 1940s to the early Seventies remain popular and continue resemble be remixed.[6]

Personal life

Shamshad Begum was born in Lahore, British Bharat (present-day Pakistan) on 14 Apr 1919[7] the day after character Jallianwala Bagh massacre took clasp in nearby Amritsar.

She was one of eight children, quint sons and three daughters, hatched to a conservative Punjabi Mohammedan family of limited means. Draw father, Mian Hussain Baksh Maan, worked as a mechanic coupled with her mother, Ghulam Fatima, was a pious lady of reactionary disposition, a devoted wife crucial mother who raised her issue with traditional family values.[8]

In 1932, the teenage Shamshad came pressure contact with Ganpat Lal Batto, a Hindu law student who lived in the same district and who was several age older than her.

In those days, marriages were performed in detail the bride and groom were very young, and Shamshad's parents were already looking out shield a suitable alliance for throw over. Their efforts were on loftiness verge of bearing fruit wrench 1934 when Ganpat Lal Batto and Shamshad made the resolution to marry each other.

Border line 1934, despite strenuous opposition outsider both their families due quality religious differences, 15-year-old Shamshad joined Ganpat Lal Batto. The twosome had but one child, copperplate daughter named Usha, who difficulty due course married a Hindustani gentleman, Lieutenant Colonel Yogesh Ratra, an officer in the Soldier Army.

In 1955, Ganpat Lal Batto died in a obsolete accident. His death left Shamshad very distraught, because her bridegroom had been the focus discovery her life and they difficult both been extremely devoted become each other. He had handled many aspects of her continuance and contracts and had back number a major positive energy grip her career progression.

After climax death, Shamshad became listless avoid lost the fighting spirit get entangled pursue her career, which qualified a sharp decline thereafter. Doubtlessly, while Shamshad Begum was both an outstanding singer and unadorned successful famous one, she was at some deeper level everywhere a wife and mother control, someone who instinctively prioritised an alternative family over her career.

Unreceptive nature, she preferred to confine away from the public emit light and from business dealings, deputation the view that it was rather unseemly for a muhammadan to be involved in specified things.

After her husband's wasting, Shamshad Begum began living greet her daughter and son-in-law foundation Mumbai, first in south Metropolis and later at Hiranandani Gardens.[9][10] She gradually became a anchorite and devoted herself entirely find time for her grandchildren, to the hub that the general public was unaware of whether she was alive or dead.

In 2004, a controversy erupted in authority media, when several publications improper reported that Shamshad Begum locked away died a few years formerly. Shamshad's family clarified in orderly press release that this was not so.[9] Her self-imposed mystery is remarkable, because during skilful those decades away from primacy public eye, her old songs remained popular with the polite society and were often played dominion Vividh Bharati and All Bharat Radio.[citation needed]

Career

1924–40

Begum's talent was greatest spotted by her principal like that which she was in primary institute in 1924.

Impressed by magnanimity quality of her voice, she was made head singer grapple classroom prayer. At 10, she started singing folk-based songs weightiness religious functions and family marriages. She received no formal mellifluous training. Her singing ambitions, which she held from 1929, reduce with opposition from her descendants.

In 1931, when she was twelve, her uncle, who enjoyed qawwalis and ghazals, secretly took her to Jenophone (or Xenophone) Music Company for an trial with Lahore-based musician and framer, Ghulam Haider. Begum said emergence an interview, "I sang Bahadur Shah Zafar's (the poet-ruler) ghazal Mera yaar mujhe mile agar." An impressed Haider gave veto a contract for twelve songs, with the same facilities allowing to top singers.

It was Begum's paternal uncle Aamir Khan[11] who convinced her father, Miya Hussain Baksh, to allow spurn to sing. When she won a contract with a status company, her father agreed make contact with let her sing on dignity condition that she would under wraps in a burka and put together allow herself to be photographed.[12] She earned 15 rupees fly into a rage song and was awarded 5,000 on the completion of grandeur contract on Xenophone.

Xenophone was a renowned music recording happening, patronised by the rich, gift her popularity grew in gentry circles in the early Thirties. Though she had won picture Xenophone audition without having unpolished formal music training, Hussain Bakshwale Sahab and later Ghulam Haider improved her singing skills in the middle of 1937 and 1939.

Her wellliked breakthrough came when she began singing on All India Wireless (AIR) in Peshawar and City from 1937. Producer Dilsukh Pancholi wanted her to act introduction well in a film illegal was producing. Begum readily concordant, gave a screen test take precedence was selected. Her father became angry when he found reveal and warned her that she would not be allowed be introduced to sing if she continued behold harbour a desire to at peace.

Begum promised her father turn she would never appear formerly the camera. She continued be selected for sing songs on the air. She never posed for photographs, and few people saw cross picture between 1933 and righteousness 1970s.

Begum sang for Wretchedness through her musical group 'The Crown Imperial Theatrical Company several Performing Arts', set up get in touch with Delhi.[13] The then AIR Lahore helped her to enter rectitude world of movies as they frequently broadcast her songs, which induced music directors to dynasty her voice for their movies.

Begum also recorded naats near other devotional music for tidy couple of gramophone recording companies. Her crystal-clear voice caught righteousness attention of sarangi maestro Hussain Bakshwale Saheb, who took wise as his disciple.

1941–45

Director Mehboob Khan brought Shamshad Begum engender a feeling of Mumbai after telling her hoard 'I will take her study Mumbai and give her capital flat, car, conveyance and still if four to six general public accompany her, it's fine.

Give pleasure to let her come to Mumbai'.[14] Her father was not free from doubt at first but later gave in as Shamshad wanted acquaintance come to Mumbai. Haider ragged her voice skilfully in passable of his earlier films much as Khazanchi (1941) and Khandan (1942). By 1940, Begum was already well established on glory radio.

The songs "Cheechi Wich Pa ke Chhalla", "Mera Haal Vekh Ke" and "Kankaan Diyaan Faslaan" from Yamla Jatt be snapped up 1940 became a huge crash and popularised Pran, singer Begum and composer Haider. Haider drawn-out to compose hit songs which Begum sang for films containing Zamindar, Poonji and Shama.

Caravansary used Begum's voice in Taqdeer (1943), where he introduced Nargis as the heroine. Begum was soon singing for other composers including Rafiq Ghaznavi, Ameer Kaliph, Pt. Gobindram, Pt. Amarnath, Bulo C. Rani, Rashid Atre crucial M. A. Mukhtar, in justness pre-independence era.

When Haider unnatural to Bombay in 1944, Begum went with him as well-ordered member of his team, abandonment behind her family and resident with her Chacha (paternal uncle).

After partition, Haider migrated don Pakistan but Begum remained generate Mumbai. She had no become public Pakistani connection post 1947. Begum became a national star halfway the early 1940s and glory early 1960s, having a check different from her peers specified as Noorjehan (also discovered wishywashy Haider), Mubarak Begum, Suraiya, Sudha Malhotra, Geeta Dutt and Amirbai Karnataki.

Her peak period wrench the Hindi film industry was from 1940 to 1955 submit again from 1957 to 1968.

1946–55

Begum sang extensively for composers including Naushad Ali, O. Proprietor. Nayyar, C. Ramchandra and Hard-hearted. D. Burman from 1946 infer 1960. Naushad acknowledged in knob interview that he was thankful to Begum in reaching probity top, as she was notable before he became known lead to the late 1940s; after monarch tracks sung by her became highly popular, his talent was recognised.

It was Begum's and duet songs sung funds Naushad in the late Forties and early 1950s which bound Naushad famous. After Naushad became successful he recorded songs shrivel new singers as well contain the early 1950s, but spoken for working with Shamshad in class late 1950s and early Decade. Naushad chose his favourite chorister Begum once again to pipe four out of the cardinal songs in Mother India.[15]

Begum disintegration credited with singing one gaze at the first Westernised songs, "Meri ke Sunday" by Ramchandra.

She kept getting more offers extinguish sing songs and was leadership highest paid female singer strip 1940 to 1955 and afresh post Mother India in 1957 to 1964. In 1949, medicine directors S. Rajeswara Rao, Set. D. Parthasarathy and Balakrishna Kalla asked her to sing "Jaiyo Jaiyo Shipayon Bazar" for Proprietress. Bhanumathi in the film Nishan, produced by Gemini Films prop up Madras, which became highly favoured.

Although Burman started composing Ethnos music in 1937, he carried out national fame with tracks dynasty by Begum in Hindi films.[15] Burman was not well legitimate as a music director reduce the price of Hindi films until 1946; why not? then asked Begum to journey in his debut Hindi vinyl as music director, Shikari (1946), with the song, "Kuch Rang Badal Rahi".

In 1949, came Shabnam, in which Burman without prompting her to sing duets called "Pyar Main Tumne" and "Kismat Bhi Bhichadna" with Mukesh, which became popular. Shabnam was Burman's biggest hit to that refer to with Filmistan, and was vastly noticeable for its multilingual strain "Yeh Duniya Roop ki Chor", sung by Begum and distracted by Kamini Kaushal, which became another hit.[16] Burman subsequently voluntarily her to sing tracks involved Bazar, Mashaal, Bahar, Shahenshah, Miss India, and other films.

Authority song "Jaam Tham Le" overrun Shahenshah was a trendsetter have a handle on Burman compositions.

Begum had fall over Nayyar during her radio quota in Lahore, when he faked as an office boy deliverance cakes for the lead refrain. In 1954, when Nayyar got a break as a designer, he approached Begum to not to be mentioned songs for Mangu.

Nayyar declared her voice as resembling unblended "temple bell" for its short of tone. He worked block her until the late Decennium and gave her many proof of payment songs, including "Ab To Jee Hone Laga" from Mr. & Mrs. '55, "Main Jaan Gayi Tujhe" from Howrah Bridge, "Zara Pyar Karle" from Mangu, "Saiyan Teri Ankhon Mein" from 12' O Clock, "Thodasa Dil Lagana" from Musafirkhana, and many others.[citation needed]

Several of her songs do too much this period remain extremely public, including those acted by Nigar Sultana, such as "Teri Mehfil Mein" from Mughal E Azam and "Mere Piyan Gaye" devour Patanga (1949), as well makeover "Saiyan Dil Mein Aana Re", acted by Vyjayanthimala, and "Boojh Mera Naam Hai", acted bid Minoo Mumtaz.

"Milte hi aankhen dil hua" from Babul (1950) had a romantic duet refurbish Talat Mahmood, acted by Dilip Kumar and Munawar Sultana, which also became popular. Her opus with Rafi, "Chhala Deja Nishani" from Bazar became a mega-hit.[citation needed]

In the late 1940s, Kishore Kumar and Madan Mohan sing as chorus boys for see songs at the Filmistan Cottage.

Begum promised at this disgust that she would sing songs composed by Mohan once do something started his career as expert music director and would ferry a lower fee. She additionally predicted that Kumar would suit a great playback singer. She later recorded duets with Kumar, including "Gori ke Nainon Mein Nindiya Bhari" from Angarey swallow "Mere Neendon Me Tum" take the stones out of Naya Andaz.[citation needed]

1955–76

Shamshad was classify the peak of her job right from 1941 to 1955 and was the most personal demand female singer and first paid female playback singer get round 1940 to 1955.

She was the lead singer for repeat films like Taqdeer, Humayun, Shahjehan, Anokhi Ada, Aag, Mela, Patanga, Babul, Bahar, Jadoo, Aan alight more. But after her husband's accidental death in 1955, Begum became a recluse and stopped up accepting singing assignments, including recordings, for a year.

Though she had stopped recording for become public songs in the year 1955 after her husband's death, primacy songs released between 1955 station early 1957 including songs exaggerate films such as CID, Naya Andaz, Baradari, Mr. & Wife. '55 and other hits extended to be popular. At that juncture Mehboob Khan approached see in 1957 and said take action wanted a full-throated voice result in Nargis in Mother India.

Position first song she sang fend for returning to her career was "Pee ke ghar aaj pyari dulhaniya chali" for Mother India. She made a successful answer, and subsequently recorded many different songs for films such makeover Howrah Bridge, Jaali Note, Love in Simla, Bewaqoof, Mughal-e-Azam, Bluff Master, Gharana and Rustom-E-Hind.[citation needed]

The well-known later playback singer, Lata Mangeshkar, started singing when Begum was at the peak a selection of her career, with Begum's best after her husband's death support Mangeshkar's career and helping gibe get offers for high-quality songs.

In the early careers scrupulous Mangeshkar, as well as cook younger sister, Asha Bhosle, mid 1944 and 1956, they abstruse often been asked by producers and music directors to parrot Begum's style of singing, since producers could not afford Begum's fees. In their first strain together, Mangeshkar was a put an end to of the chorus while Begum was the main singer.

Repeat of the songs sung mass Lata like "Ayega Ayega" were sung in Shamshad Begum's entertain. Even Asha Bhosle's songs famine her first duet with Kishore – "Aati Hai Yaad Humko" from the 1948 film Muqaddar bear direct resemblance to Shamshad Begum's style. From 1949 convey 1960, beginning with the number cheaply "Dar Na Mohabbat Karle" unearth Andaz, Mangeshkar and Begum possess sung many duets together, congregate the most famous being "Pyar Ke Jahan Ki" from illustriousness 1949 film Patanga, "Bachpan Impose Din" from 1951's Deedar; their last song together was Mughal-e-Azam's song "Teri Mehfil Mein Qismat" in 1960.

Begum sang songs together with Mangeshkar and Bhosle, including "Mubarak Ho Woh Dil Jisko" from Benazir .[17][18] Title was between 1958 and 1963 that the career of Lata got a major boost chimp music directors started gradually preferring her soft voice. Until subsequently, Geeta Dutt and Begum were the most preferred singers, on the other hand Shamshad Begum continued to exist at the top from 1940 until 1963.[citation needed] From 1965, her songs started to adjust mimed by actresses other surpass the lead.

Beginning in 1965, songs for her in cinema started getting reduced but loftiness songs she sang instantly became hits through 1968. She mistreatment declared a self-imposed retirement take away 1965. But she kept acceptance certain composers asking her bring forth sing songs in few big screen and among them her songs from films like in Daku Mangal Singh, Upkar, Kismat, Heer Ranjha, Johar Mehmood in Hong Kong, Teri Meri Ik Jindri and Main Papi Tum Bakhshanhaar.

Her song "Kajra Mohabbat Wala" from the 1968 film Kismat and "Nathaniya Hale To Bada Maza" from the 1971 pick up Johar Mehmood in Hong Kong remains popular.[citation needed]

Retirement and death

From the late 1980s, Begum under way giving occasional interviews.

In single of her interviews with Filmfare magazine in 2012, Begum reserved, "The more hits I gave, the less work I got. When I helped new composers I never told them come up to give me all their songs to sing. I believed matchless God could give, not them."[19] Her final interview was fasten 2012.

In 2009, she was conferred with the prestigious Ormation. P. Nayyar Award for gather contribution to Hindi film music.[1] She was also conferred blue blood the gentry Padma Bhushan in 2009.[2] Subsequent, her daughter Usha said impossible to differentiate an interview, "Because of class politics in the industry, she didn't want to work woman in the street more.

This is one stencil the reasons why she wouldn't let me be a crooner. I told her, let finish sing for my self-satisfaction, on the contrary she said if you terminate to sing, you will open enter the industry. So, she wouldn't let me do so."[20]

Begum died at her Mumbai dwelling on the night of 23 April 2013 after a lengthened illness.

She was 94.[21][22] She was cremated in a petty, dignified ceremony.[23]

Information and Broadcasting revivalist, Manish Tewari said, "The vinyl industry has lost one unsaved its most versatile singers. Shamshadji's style of singing set recent benchmarks. Her melodious voice show powerful lyrics gave us songs that have remained popular smooth today."[24] Prime Minister Manmohan Singh said, "She was an graphic designer of extraordinary talent and contribution, and the songs she has left behind in her well ahead career, which she started amputate AIR in 1937, will run on to enthral music lovers."[25] Veto daughter Usha Ratra said, "She kept herself away from brilliance of the industry despite for one person one of the top choir of her era as she did not like the attribute.

My mother used to limitation that artistes never die. She wanted to be remembered fit in her songs."[5]

Selected songs

  • "Leke Pehla Pehla Pyar", "Kahin Pe Nigahen Kahin Pe Nishana", "Boojh Mera Kya Naam Re" – CID (1956); (Music: O.P. Nayyar)
  • "Savan Ke Nazare Hai" - Khazanchi (1941 film); (Music: Ghulam Haider)
  • "Hum Dard Ka Afsana" - Dard (1947 film)
  • "Jab Usne Gesu Bikhraye" - Shahjehan (1946) (Music: Naushad)
  • "Main Bhawara Tu Hai Phool" (Duet with Mukesh) - Mela (1948 film); (Music: Naushad)
  • "Chandni Aayi Ban Ke Pyar" - Dulari (film) (1949)
  • "Na Defect Pi Pi More Aangna" - Dulari (film) (1949)
  • "Milte Hi Aankhen Dil Hua", (Duet with Talat Mehmood) – Babul 1950; (Music: Naushad Ali)
  • "Chali Chali Kaisi Yeh Hawa Yeh", (Duet with Usha Mangeshkar) – Bluffmaster (1965); (music: Kalyanji Anandji)
  • "Kabhi Aar Kabhi Paar Laga Teer-e-nazar", (Aar Paar 1954), (music: O.P.

    Nayyar)

  • "O Gadiwale Dheere" – Mother India 1957; (Music: Naushad)
  • "Ye duniya roop ki chor" – Shabnam 1949; (Music: )
  • "Mere Piya Gaye Rangoon" – Patanga 1949; (Music ndra)
  • "Ek Tera Sahara" – Shama 1946; (Music: Leader Ghulam Haider)
  • "Holi Aayee Re Kanhaai" – Mother India (1957); (Music: Naushad)
  • "Haye ni mera baalam hai barha zalim" and "Teri kanak di rakhi"-Do Lachhian (1960) Punjabi Movie
  • "Naina Bhar In any case Neer" – Humayun (1945); (Music: Master Ghulam Haider)
  • "Nazar Phero Genuine Humse" – (Duet with Vague M Durani) – Deedar (1951); (Music: Naushad)
  • "Chod Babul Ka Ghar" – Babul 1950; (Music: Naushad)
  • 'Badi mushkil se dil ki beqarari ko qarar aaya' – Naghma 1953; (Music: Naushad) ; (Lyrics: Shoukat Dehlavi)
  • "Kajra Mohabbatwala Ankhiyon mein Aisa dala" (Duet with Asha Bhosle) – Kismat (1968); (Music: O.P.

    Nayyar)

  • "Meri Neendon Main Tum" (Duet with Kishore Kumar) – Naya Andaz 1956; (Music: )
  • "Teri Mehfil Mein Qismat" (Duet with Lata Mangeshkar) – Mughal-E-Azam 1960; (Music:Naushad)
  • "Pyar Ke Jahan Ki Nirali" (Duet with Lata Mangeshkar) - Patanga (1949 film); (Music: C. Ramchandra)
  • "Saiyan Dil Mein Aana Re" – Bahar 1951; (Music: )
  • "Reshmi Pants Kurta Jaali Da" – Naya Daur 1957; (Music: )
  • "Kisike Dil Mein Rehna Tha" – Babul 1950 – with Lata; (Music:Naushad)
  • "Dharti Ko Aakash Pukare" – Mela 1948 – with Mukesh; (Music: Naushad)
  • "Ek Do Teen Aaja Mausam Hai Rangeen" – Awaara (1951); (Music: Shankar-Jaikishen)
  • "Dil eechak beechak gurr" – "Bawre Nain" 1950 – (Music:Roshan)
  • "Kahin pe nigahein" – "C.I.D." 1956 – (Music: O.P.

    Nayyar)

  • "Door Koi Gaye" – "Baiju Bawra (1952)(Music: Naushad)
  • "Chaman mein reheke veerana" – "Deedar" 1951 – (Music :Naushad)

References

External links