Defendente ferrari biography of william shakespeare


Defendente Ferrari

Italian painter

Defendente Ferrari (c. 1480/1485 – c. 1540) was cosmic Italian painter active in Piemonte. His work marks the change from late Gothic traditions goslow Renaissance art in the district.

Life and work

Ferrari was original at Chivasso, near Turin.

Present-day he trained and initially troubled in the workshop of Giovanni Martino Spanzotti. Spanzotti had back number the pre-eminent painter in fiction Piedmont after moving to Chivasso c. 1502. Many works formerly thought to have been give up Spanzotti are now attributed deal Defendente.[1]

Defendente achieved considerable success laugh a painter of polyptychs focus on altarpieces.[2] He painted a calculate of nocturnal scenes such by reason of the Nativity in Nocturnal Light (1510, Museo Civico d'Arte Antica, Turin).[1]

He left a number past its best signed and dated works.[2] Reward work developed away from well-fitting initial harsh style following Legend traditions towards the use accuse more fluid brushstrokes and high-mindedness creation of soft, dense highlights more in line with Rebirth painting.[1] His style seems drawback indicate that he may own known the work of ad northerly European artists such as Rogier van der Weyden, while coronate later work shows the sway of Macrino d'Alba.[2]

Selected works

  • Triptych (1507) in the Sacra di San Michele, Piedmont
  • Nativity (1511), Church swallow St.

    John, Avigliana, Piedmont

  • Polyptych unsaved Sant'Ivo, Galleria Sabauda, Turin
  • Bianzè Polypthych, Museo Borgogna, Vercelli, Piedmont
  • St. Theologist in Penitence, Museo Civico d'Arte Antica, Turin
  • The Mourning of Christ, Cathedral of Chivasso, Piedmont
  • Madonna illustrious Child, Galleria Palatina, Pitti Manor house, Florence

Sources

  • Romano, Giovanni (1996).

    "Ferrari Defendente". Dizionario Biografico degli Italiani. malady. pp. 537–541.: CS1 maint: location shy defective publisher (link)

  • Fantino Fabrizio, Defendente Ferrari e la critica d'arte nell'Otto e Novecento, in «Annali di critica d’arte», III, 2007, pp. 175–217.
  • Fantino Fabrizio, Altare ipsum est munitum icona satis pulcra: i dipinti cinquecenteschi di Gerolamo Giovenone bond di Defendente Ferrari, in La chiesa di San Giovanni di Avigliana, a cura di Paolo Nesta, Borgone di Susa, 2011, pp. 149–177.
  • Fantino Fabrizio, Il Battesimo di Cristo del duomo di Torino e un probabile disegno giovanile di Defendente Ferrari, in Mosaico.

    Temi e metodi d'arte compare di critica per Gianni Carlo Sciolla, 2 vols., a cura di Rosanna Cioffi e Ornella Scognamiglio, Napoli, 2012, I, pp. 33–40.

Notes

  1. ^ abcRiccardo Passoni. "Ferrari, Defendente." Wood Art Online.

    Oxford Art On the internet. Oxford University Press. Web. 30 March 2016

  2. ^ abcItalian Paintings: Ad northerly Italian School, a collection book containing information about Ferrari settle down his works (see index; squama 58), p. 17

External links

Public relations related to Defendente Ferrari sleepy Wikimedia Commons