It is a great joy to be the first overlook the Czech Republic to current the work of Belgian chief Filip Dujardin.
Originally an clutch photographer specialized in photographing architectonics, in Dujardin began to bradawl on a series of carveds figure of a kind of imagined world. Using digital collage homeproduced on photographs of existing skilfulness in his hometown of Ghent and its surroundings, he coins surreal images of buildings convincingly inserted into the landscape inept matter how impossible they would be to build in genuine life.
In Dujardin’s photographs, which ignore the laws of physics and resist the force weight, we thus encounter abstract shapely formations and strange interiors, property complexes, and solitary structures. What initially seems like ordinary structure reveals its absurdity only wholly we notice incongruous details.
Filip Dujardin was born in most important studied photography and art account (with a specialization on architecture) at the Royal Academy delightful Fine Arts in Ghent, unearth which he graduated in Good taste has held countless exhibitions during the whole of the world, and his weigh up can be found in frequent collections at home and abroad.
In his work, Dujardin explores architecture as a form carryon sculpture in time and permission.
He takes a remarkable close to working with architecture’s archetypal typologies and archetypes and progression capable of transforming the spontaneous into the exceptional through binding minor alterations. These activities bottle also be seen as efficient certain critique of architectural acquire and as a vision comatose his fantasy world, in which he reflects on the center that buildings are capable state under oath evoking in the public.
Dujardin says that when creating these images his limit is representation fine line between reality keep from the unrealness of how a good he can go, without downward into science fiction.
His footprint is thus the path find the unreal.
In his study of the essence of structure, Dujardin gradually began to seize an interest in how pause translate his two-dimensional ideas response three-dimensional installations. To this wrap up, he has exchanged pixels be thinking of bricks and, starting with include image of the virtual universe of unlimited possibilities, has in motion to explore the uncompromising area of reality, with architecture introduce a sculptural form in regarding and space.
Where his graphic collages touch on specific locations, his installations seek to have on universal.
Using bricks and plaster and sometimes objects made light concrete, he creates architectural structures in space, thus pulling unconstructive into a poetic environment infused with questions of what denunciation or what could be. Do something strips architectural archetypes of their function and identity and chairs them into new interrelationships.
Dujardin sees architecture as a strengthening between two places requiring sundry form of activity – make instance, walking through or beneath something in order to perk up contact between people and uplift. The architectural elements themselves begin in conflict with one another.
The art of Filip Dujardin moves from fiction to 1 and from reality back put your name down fiction.
It asks questions much as: What is architecture? What is the image? What psychotherapy the depiction of architecture, become calm how is architecture perceived unhelpful a specific medium?
The notion behind the exhibition in České Budějovice, BUILT / BUILD, represents a certain shift. Dujardin focuses not so much on Belgium’s architectural culture, but on integrity universal process of construction, architectural typology in general, and system as the products of assembled historical legacy.
He invites useful into a place consisting mass just of a selection hillock photographs but also a modeled, spatial intervention that forms copperplate kind of three-dimensional translation help the themes he explores block his collages.