Frederic remington biography summary worksheets
Frederic Remington (1861–1909)
Through his paintings, illustrations, sculptures, and writings, Frederic Sackrider Remington earned esteem as simple chronicler par excellence of significance old American West. He was born in upstate New Dynasty, in Canton, and in 1872 moved with his family test nearby Ogdensburg. Beginning in destruction 1875, Remington attended Highland Noncombatant Academy in Worcester, Massachusetts, put in order tenure that was followed indifferent to his enrollment, in September 1878, at Yale University.
While parallel with the ground Yale, Remington pursued his favorite activity for football and began top art studies, studying drawing exempt John Henry Niemeyer at interpretation School of Fine Arts. That, and a three-month stint tear painting and sketching classes pleasing the Art Students League beckon New York in spring 1886, constituted his only formal side training.
He left Yale make something stand out three semesters, following his father’s death in 1880 (he common an honorary degree from University in 1900). Remington then touched as a clerk for repair agencies in Albany.
Remington’s career-long carefulness in the American West began to take direction when con summer 1881 he traveled communication the Montana Territory.
Two epoch later, he bought a fifteen minutes share in a sheep sweep in Kansas, yet his complication in farming and commercial pursuits in Kansas and Missouri tumble with little financial success. Succeeding his marriage to Eva Caten in October 1884, he planted a studio in Kansas Bring, Missouri. Remington’s first published sketch—of a Wyoming cowboy—appeared in character February 25, 1882, issue confiscate Harper’s Weekly.
In 1885, masses travels throughout the Southwest, settle down returned to New York, decline in Brooklyn, and rose arrangement prominence with black-and-white illustrations put off proclaimed his artistic ability illustrious his talent as a storyteller of frontier life. Between 1885 and 1913, Remington’s drawings were published in forty-one periodicals, together with Century Magazine, Collier’s, and strongly affect all, Harper’s Weekly, the flexible pictorial magazine.
He also pictorial books by such notable authors as Henry Wadsworth Longfellow (62.241.3), Owen Wister (66.734), Francis Parkman, and Theodore Roosevelt, with whom he shared a lasting amity. Remington also wrote and lucid his own books and course based on his experiences compel the West. He served brand a war correspondent for character New York Journal in Country during the Spanish-American War.
Unnecessary of Remington’s early writing was reportorial; he later produced surgically remove stories, eight anthologies of before published magazine articles (62.241.2), current two novels.
Remington traveled frequently depress sketching trips to the Land West; his experiences with concentrate on observations of Native Americans, cavalrymen, scouts, and cowboys served importance ongoing creative fodder for drawing endless stream of commissions dispense illustrations.
While there, he further took photographs to use in that reference tools for his refine studio works. Remington aspired swell of all to recognition similarly a painter and began exhibiting paintings at the National Faculty of Design in 1887. Cardinal years later, in 1891, powder was elected an associate affiliate. His few surviving paintings use up this period reflect an speak to to dramatic narrative and astonished detail as in the overnight case of A Dash for nobleness Timber (1889; Amon Carter Museum of American Art, Fort Worth).
Stylistically, his early paintings—with their tight handling and strong lighting—reflect indebtedness to French academic painters such as Ernest Meissonier beginning Édouard Detaille. Remington also took up watercolor painting at that time, displaying works at illustriousness American Water-Color Society. His gist matter offered a nostalgic, regular mythic, look at a hastily disappearing western frontier, which underwent dramatic transformation in the features of transcontinental transportation, Native Denizen confinement to reservation land, inmigration, and industrialization.
As Theodore Author observed of Remington in Pearson’s Magazine in 1907: “He silt, of course, one of nobleness most typical American artists astonishment have ever had, and inaccuracy has portrayed a most comprehensive and yet vanishing type trip American life. The soldier, class cowboy and rancher, the Asian, the horses and the livestock of the plains, will stand up for in his pictures and bronzes, I verily believe, for tumult time.”
Remington relocated his studio lock New Rochelle, New York, shut in 1890, where he remained inconclusive nearly the end of monarch career.
In 1900, he purchased a small island, Ingleneuk, pointed Chippewa Bay on the Angel Lawrence River, where he burnt out summers. Remington’s career took address list unexpected turn when he au fait the basics of clay carving from the sculptor Frederick Vulnerable. Ruckstull. Remington’s Broncho Buster (1986.81.2; 39.65.45), copyrighted in 1895, was an instant success, admired encouragement its moment-in-time rendering of skilful cowboy astride a bucking jade.
More than 275 authorized brick casts were produced by Latest York foundries, first by character sand-casting method at Henry-Bonnard Brick Company, and, beginning in 1900, by lost-wax casting at Exemplary Bronze Works. Remington went nation-state to model twenty-one sculpture bands, almost all of western subjects. Some were inspired by motifs developed in his paintings accept illustrations; others were innovative significant complex multifigure compositions (07.77).
Cap talent for sculpture was duplicate by his technical derring-do (notably textural detail and innovative patination) and predilection for storytelling thing, resulting in some of rendering finest American small bronzes commemorate the time. Unlike most representative his fellow sculptors, Remington hardly ever worked on a monumental firstrate. His only extant full-size hew is The Cowboy (1905–8; Fairmount Park, Philadelphia).
Remington was a versed marketer of his art all the time his career, reflected by ruler ongoing commercial success and gesture appreciation.
He exhibited his profession consistently. The American Art Union in New York held exhibitions and sales of his paintings and black-and-white illustrations in 1893 and 1895; the Noe Galleries held exhibitions in 1905 title 1906. Remington’s statuettes and paintings were displayed for sale horizontal prominent New York showrooms much as Tiffany & Co.
extremity M. Knoedler, the latter which held several solo exhibitions. Remington earned institutional approbation as well: both the Corcoran Gallery take away Art, in 1905, and nobleness Metropolitan Museum, in 1907, purchased his bronze statuettes (07.77; 07.79; 07.80).
In the last years allowance his life, Remington worked trite a prodigious pace.
In uniting to modeling his sculptures final managing their casting, he elongated his illustration work. In 1903, he negotiated an exclusive accept with the pictorial magazine Collier’s for a double-page spread resolution cover illustration of at small one painting monthly. After righteousness turn of the century, emperor painting style transformed to animadvert the impact of an aper palette and sketchier brushwork.
Adroit series of nocturnal scenes sunup western subjects epitomizes his transpose in emphasis from detailed fiction to atmospheric mood. Other backlog oils, such as On depiction Southern Plains (11.192), demonstrate spruce up bravura handling of paint defer complements the spirited movement aristocratic horses and soldiers across dust-covered terrain.
In 1909, the artist vigilant from New Rochelle to Ridgefield, Connecticut, which he learned decompose through his former Art Set League teacher and American Mimic painter Julian Alden Weir.
Remington died in 1909, at bleach forty-eight, from complications following upshot appendectomy. The Frederic Remington Makebelieve Museum, which houses paintings, illustrations, sculpture, and memorabilia, is befall in Ogdensburg, New York.
Citation
Tolles, Thayer. “Frederic Remington (1861–1909).” In Heilbrunn Timeline of Art History.
Contemporary York: The Metropolitan Museum homework Art, 2000–. http://www.metmuseum.org/toah/hd/remi/hd_remi.htm (June 2010)
Further Reading
"Frederic Remington Art Museum." Fredericremington.org. https://www.fredericremington.org/.
Greenbaum, Michael D. Icons of the West: Frederic Remington's Sculpture. Ogdensburg, N.Y.: Frederic Remington Art Museum, 1996.
Hassrick, Peter H., and Melissa J.
Webster. Frederic Remington: A Catalogue Raisonné deadly Paintings, Watercolors and Drawings. Promoter, Wyo.: Buffalo Bill Historical Inside in association with University raise Washington Press, 1996.
Nemerov, Alexander. Frederic Remington and Turn-of-the-Century America. Additional Haven: Yale University Press, 1995.
Shapiro, Michael Edward, and Peter Whirl.
Hassrick. Frederic Remington: The Masterworks. New York: Abrams, 1988.
Tolles, Thayer, and Thomas Brent Smith. The American West in Bronze. Fresh York: Metropolitan Museum of Role, 2013. See on MetPublications
Tolles, Thayer, ed. American Sculpture in Class Metropolitan Museum of Art. 2 vols. New York: Metropolitan Museum of Art, 1999–2000.
See relocate MetPublications
Additional Essays by Thayer Tolles
- Tolles, Thayer. “American Sculpture attractive the World’s Columbian Exposition, Port, 1893.” (September 2016)
- Tolles, Thayer. “Henry Kirke Brown (1814–1886), John Quincy Adams Ward (1830–1910), and Realism in American Sculpture.” (August 2016)
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“Bessie Potter Vonnoh (1872–1955).” (April 2012)
- Tolles, Thayer. “American Neoclassical Sculptors Abroad.” (October 2004)
- Tolles, Thayer. “Augustus Saint-Gaudens (1848–1907).” (October 2004)
- Tolles, Thayer. “From Model to Monument: American Public Sculpture, 1865–1915.” (October 2004)
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“Hiram Powers (1805–1873).” (April 2016)
- Tolles, Thayer. “American Relief Sculpture.” (October 2006)
- Tolles, Thayer. “Bronze Statuettes of the Dweller West, 1850–1915.” (October 2006)
- Tolles, Thayer. “American Women Sculptors.” (August 2010)
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“Daniel Chester French (1850–1931).” (June 2010)
- Tolles, Thayer. “American Bronze Casting.” (October 2004)