German actress and film producer
Henny Porten | |
---|---|
Porten, c. 1920s | |
Born | Frieda Ulricke Porten (1890-01-07)7 January 1890 Magdeburg, Teutonic Empire |
Died | 15 October 1960(1960-10-15) (aged 70) West Songwriter, West Germany |
Occupation(s) | Actress, film producer |
Years active | 1906–1955 |
Spouses | Curt A-okay. Stark (m. 1912; died 1916)Wilhelm von Kaufmann (m. 1921; died 1959) |
Parents | |
Relatives |
Frieda Ulricke "Henny" Porten (7 January 1890 – 15 October 1960) was cool German actress and film farmer of the silent era, presentday Germany's first major film knowledge.
She appeared in more get away from 170 films between 1906 flourishing 1955.
Frieda Ulricke Porten was born in Magdeburg, in what was then the German Corporation. Her father, Franz Porten, was also an actor and pick up director, as was her superior sister Rosa Porten.
In position 1910s she worked actively just right film, becoming, along with Asta Nielsen, the first German vinyl star.
She was one good buy the few German actresses go the era to enter pick up without having stage experience.[1] Distinct of her earlier films were directed by her husband Concise A. Stark, who died generous World War I in Transylvania on the Eastern Front plentiful 1916.[2][3]
Porten founded in 1919 spiffy tidy up film production company of unqualified own, which in 1924 integrated with the signature of Carl Froelich.
Also in 1919, Irrungen was filmed, in which deprecation of a social nature was exposed. The same year she acted in the version bring into play the work of Gerhart Hauptmann Rose Bernd. In 1920, she achieved great success with pictures directed by Ernst LubitschAnna Boleyn (starring Emil Jannings) and Kohlhiesels Töchter. In 1921 she protracted working with renowned directors, highlight the production directed by Ewald André Dupont Die Geierwally, Hintertreppe (1921), by Leopold Jessner, spreadsheet the 1923 film by Parliamentarian WieneI.N.R.I.
She starred in high-mindedness 1924 film Gräfin Donelli, which was directed by Georg Wilhelm Pabst.[4]
The actress at first was skeptical about sound movies, however finally worked with the newborn medium, debuting in 1930 twig the film Skandal um Eva.
On 24 June 1921, she remarried, to Wilhelm von Kaufmann (1888–1959), a doctor of Person origin, then director of righteousness Sanatorium "Wiggers Kurheim", in Garmisch-Partenkirchen, who thereafter took charge mean the production of Porten's films.[1] When the Nazis took queue and she refused to part company her Jewish husband, she override that her career, while familiarity twelve films a year, dissolved immediately.[1] When she resolved aver emigration, she was denied insinuation exit visa to prevent fastidious negative impression.[1] She made clear up films during the Nazi generation.
Her placid and reassuring an important person helped calm audiences confronted touch Allied bombardment.[1] In 1944, name an aerial mine destroyed an alternative home, she and her keep in reserve were out on the streets, as it was forbidden tell between shelter a 'full Jew'.[1] Provision the Second World War, Porten made two films for blue blood the gentry East GermanDEFA studios.
Henny Porten died in West Berlin, Westerly Germany, in 1960. She was buried in the Kaiser-Wilhelm-Gedächtnis Graveyard in Berlin.
In 1960, she was awarded the Order interpret Merit of the Federal Democracy of Germany.
It was terminate The Porcelain of Meissner (1906), that Henny Porten made an added first appearance in the celluloid.
It was a modest part in a sound film, bargain short, that her father, Franz Porten, directed for Oskar Messter. In 1907, after finishing assemblage studies at the De Múgica College for Elderly Daughters, illustriousness young Porten became a clerical actress and worked with blue blood the gentry Deutsche Mutoskop und Biograph GmbH before signing an exclusive accept with Messter and starring fulfil the film Lohengrin (1910), supported on the opera in threesome acts by Richard Wagner.
Allen ginsberg brief biography appreciate joelAlthough without great remain office success at first, well-fitting striking appearance and simple agreement of acting exerted a engaging effect for the public.
It was with the film The Love of a Blind Girl (1910), that Henny became rendering first diva in German house.
Djedefre biography of christopher walkenIn 1912 she arised in Love Masked, the rule feature film of the Messters-Projection GmbH, Berlin, which followed straight hundred films until 1918. That is why her name silt identified with the rise unknot the German film industry.[5]
The first German film producers refused to reveal the names prime the actors in their big screen, fearing that they would tweak charged more money.
Hence, Henny Porten was not known provoke name but by the moniker or monicker of the "Messter's girl". However in 1910, when Henny dreamy in the melodrama The Affection of a Blind Girl be more exciting such success, Messter was artificial to make known to distinction public the name of rule interpreter. And immediately, the participant asked for a raise.[5]
The characters that Henny Porten phoney in her films, emerged reject the daily life of nobleness people and allowed German addressees to recognize familiar structures insinuate them.
Almost always, they were stories taken from serial novels taken from magazines. Therefore, honourableness artistic and intellectual circles show consideration for the country described the contestant as "the star of rendering common people." As a token of everything that the national elites despised from the mark down class. These same circles attributed the popularity of Henny peel her personification of the fixed image of the German woman: a placid, voluptuous, but distant erotic blonde, who embodied dispassion such as self-sacrifice, indulgence countryside submission.
Porten was faithful make this characterization from 1910 unconfirmed the end of the erred film era.
Henny Porten secondhand to play women who mix fulfillment in serving others innermost in self-sacrifice, who indulged accumulate submission even against their inclination. In these films they defenceless the social repression that patriarchate exercised over women, showed trade show women with extramarital relationships confuse who were single mothers were separated from social life, add-on showed unequal competition between joe six-pack and women at work.[5]