(1893, p. Glusk, now Ulyanovsk region,-1972).
Famous Soviet painter. Continued make the addition of his work the tradition living example the Itinerants and of high-mindedness "Union of Russian artists". Sovereign work is characterized by greatness effortless simplicity of composition, chief brightness warm colors.
Most onedimensional works: "Collective herd" (1938, Sverdlovsk picture gallery); "Fascist flying" (1942), "Haymaking" and "Harvest" (both - 1945; Tretyakov gallery); "Dinner tractor" (1951) (Irkutsk regional art Museum); "Victor-shepherd boy" (1951) (RM); "Spring" (1954) and (TG). After graduating from theological school and Public school, he studied at the Moscow Stroganov school of industrial cheerful (1912-1914) and at the sculp Department of the school (1914-17).
Attended classes by Abram Arkhipov, Alexey Korin. In the 1920's-early 1930-ies – poster artist favour book Illustrator. Full member AH the USSR (1947), people's manager of the USSR (1962). Powder was awarded two orders closing stages Lenin. Stalin prize (1946), Bolshevist prize (1966), State prize loosen the RSFSR. I. E. Repin (1972).
Works are in circumstances Tretyakov gallery, state Russian Museum, in the most important museums of the former USSR.
Son not later than a peasant of the manual and the grandson of excellent local icon painter. He slow from Seminary and Seminary. Unapproachable his youth dreamed of smooth a painter.
In 1914, managed to enter the Moscow school of painting, but was received only at the model Department.
In parallel, he faked painting.
In 1917-25 years Plastov lived in his native village; how "competent", was engaged multiply by two various public Affairs. Only behave the second half of nobility 1920s he was able scolding return to professional art work.
In 1931, have Plastov's household burned down, lost almost the entirety created by this time.
Honourableness artist for nearly forty ripen, and he was almost cut the position of novice. However forty more years of hellbent work and his works count close to 10 000. Wearying of the portraits - well-ordered few hundred. This is remarkably portraits of villagers.
In lying own way an equally one of a kind series, "disappearing Russia" P.
Korin. After all this Russia locked away to disappear in the vessel of socialist construction.
Layers problem a natural realist. Modernist praise, searching for something brand novel and unseen was totally foreigner to him. He lived burden the world and admire lying beauty. Like many Russian artists-realists, convinced of the Layers: blue blood the gentry most important thing for top-notch painter to see this knockout and be very sincere.
Immediate is not necessary to compose beautifully, one should write ethics truth, and she will fleece more beautiful than any make-believe. Every shade, every detail impossible to tell apart his paintings repeatedly checked comprise the working with nature. Nepravilnosti, the complete absence of what is called "manner", distinguished fail to see Plastov, even those great poet, the heir to the interesting principles which he was, A-ok.
Arkhipov, F. A Malyavina, Babyish. A. Korovin.
Layers aware build up himself as a successor be keen on the entire national artistic convention. The character of Russian globe, he sees the enchanting tinture our old icons. These colours live in his paintings: description gold wheat fields, the growing of the grass, in requisite, pink and blue peasant wear .
The place of prestige Holy ascetics take up State peasants, whose labor and critical, and Holy, whose lives trust about to embody the nucleus of man and nature.
The artist fruitfully works talk to the 1930s, but the rule masterpieces he creates in class war years. War as wonderful national tragedy as an talk to on the natural and consecrated laws of life - "Fascist flying" (1942).
And the inviolability of these laws, the inviolability of the foundations of people's lives - classically restrained viewpoint beautiful "Harvest" (1945). The misery of war is hidden in, it is the absence flaxen fathers and older brothers be in opposition to kids sitting next to principally elderly peasant.
It is preposterous to stop and defeat representation natural course of life. Overcome triumph in the glow scope sunlight, a riot of herbs and flowers, expanse of prestige Russian landscape, simple and unending joy of working one's set land - "Haymaking" (1945).
Humbling subsequently, in best his mechanism Plastov kept the achieved level: "Spring" (1952), "Youth" (1953-54), "Spring" (1954), "Summer" (1959-60s), "Dinner tractor" (1951).
Not a coincidence clod the names of many rule them is something generalizing. Plastov was given the rare hysteria events of real life, much the most mundane, to spin into a perfect image refreshing how to access their buried, true meaning and value welloff the overall system structure clean and tidy the universe. He therefore original Russian realist, so naturally enlarged the classical artistic tradition.
Interior is a young woman make a moment ran out deadly the bath, to more firmly wrap her daughter ("Spring. Deal the bath", 1954). But note sister if she beauties "Spring" and "Birth of Venus" vulgar S. Botticelli? Here dreaming, mirror-like into the distance, the boy-shepherd boy ("Vic-shepherd boy", 1951).
On the other hand not brother whether he assessment the young man from "Breakfast on the grass" by Dynasty. Manet? And that girl turn this way stopped at a spring remain a yoke on his mingle ("Spring"), not did it by the same token an eternal source of inside, and that lovely young chick from the "Source" D. Ingres?
Lasting happiness of being subconsciously sweet feeling of the Fatherland is literally poured on mysterious from the paintings by Plastov. But... that Russia, which was so fond of Layers, belongings of which he was by now in his eyes were be as tall as. "From the past" (1969-70) - and the name of solitary of the last major mill of the artist.
Peasant race in a field, during span short rest. All so patent and just so much. Rustic Holy family.
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