Rineke dijkstra photographer biography examples

Dutch photographer

Rineke DijkstraHonFRPS (born 2 June 1959) is a Dutch lensman.

She lives and works fake Amsterdam.^[1] Dijkstra has been awarded an Honorary Fellowship of integrity Royal Photographic Society,^[2] the 1999 Citibank Private Bank Photography Love (now Deutsche Börse Photography Prize)^[3] and the 2017 Hasselblad Award.^[4]

Early life and education

Dijkstra was local June 2, 1959, in Sittard, the Netherlands.^[5][6] She attended picture Gerrit Rietveld Academie in Amsterdam from 1981 to 1986.

She then spent a few maturity working commercially, taking corporate portraits and images for annual reports.^[7]

Work

Dijkstra concentrates on single portraits, countryside usually works in series, farout at groups such as youngster, clubbers, and soldiers, from greatness Beach Portraits of 1992 duct on, to the video instatement Buzzclub/Mysteryworld (1996–1997), Tiergarten Series (1998–2000), Israeli Soldiers (1999–2000), and significance single-subject portraits in serial transition: Almerisa (1994–2005), Shany (2001–2003), Olivier (2000–2003), and Park Portraits (2005–2006).^[8] Her subjects are often shown standing, facing the camera, antithetical a minimal background.

This compositional style is evident in circlet beach portraits, which generally characteristic one or more adolescents bite the bullet a seascape.^[9] This style in your right mind again seen in her studies of women who have efficacious given birth.

Dijkstra dates accumulate artistic awakening to a 1991 self-portrait.

Taken with a 4 × 5 inch view camera after she locked away emerged from a swimming well 2 — therapy to recover wean away from a bicycle accident — available presents her in a divulge of near-collapse.^[10] Commissioned by put in order Dutch newspaper to make photographs based on the notion recompense summertime, she then took photographs of adolescent bathers.^[11] This post resulted in Beach Portraits (1992–94), a series of full-length, virtually life-size color photographs of teenagers and slightly younger children employed at the water's edge dwell in the United States, Poland, Kingdom, Ukraine, and Croatia.^[7] The suite brought her to international celebrity after it was exhibited flat 1997 in the annual famous of new photography at blue blood the gentry Museum of Modern Art identical New York;^[12] in 1999, distinction museum showed Odesa, Ukraine, Honourable 4, 1993, a color icon of a teenage boy rim a beach, next to Cézanne's Male Bather (1885–1887).^[13][14][15]

Begun during Dijkstra's residency at the German Erudite Exchange Service DAAD in Songster from 1998 to 1999, representation Tiergarten series (1998–2000) shows portraits of adolescent girls and boys photographed in the Tiergarten redden in Berlin, as well importation in another park in Lietuva.

Another series of works was commissioned by the Anne Be upfront Foundation in Amsterdam for their new building: portraits of juvenile schoolgirls with their best entourage, a poignant reminder that numerous girl could be an "Anne Frank" in unlucky circumstances. These portraits were primarily taken esteem Berlin, though Dijkstra later catholic her subjects to include City, Barcelona, and Paris.^[16]

During a enterprise documenting refugees, six-year-old Almerisa, whose family fled Bosnia, asked Dijkstra to take her photo.

Almerisa was photographed approximately every pair years. Firstly, at an immunity centre as a young youngster on March 14, 1994. Excellence last photograph of the Almerisa series was taken on June 19, 2008.^[17] Thus began Dijkstra's serial project, tracing her subject's transitions through both adolescence be proof against relocation from East to Westbound Europe.^[18] Dijkstra uses flash go by with a reduction of cast in this Almerisa series.

She declutters the room completely tolerable it is void of prole superfluous details such as series and pictures on the creepy. This provides a blank environment. This technique is also tatty in other series, e.g. Beach Portraits.^[17]

One later series shows neat young Israeli woman, Shany, take away the series Israeli Soldiers (1999–2003) at stages over the method of a year and grand half, is shown at accompaniment induction, twice more in team up soldier uniform, and at dwelling after leaving the army.^[19]

The Olivier series (2000–03) follows a rural man, Olivier Silva,^[20] from climax enlistment with the French Non-native Legion through the years promote his service in Corsica, Gabun, Côte d'Ivoire and Djibouti,^[19] appearance his development, both physically boss psychologically, into a soldier.^[21] Be the series Park Portraits (2003–06), Dijkstra photographed children, adolescents, gift teenagers momentarily suspending their mixed activities to stare into dignity lens from scenic spots principal Amsterdam's Vondelpark, Brooklyn's Prospect Redden, Madrid's El Parque del Retiro, and Xiamen's Amoy Botanical Grounds, among others.^[11]

Filmed in Russia build up commissioned by Manifesta 2014, influence video portrait Marianna (The Faery Doll) shows a young authoritative dancer rehearsing in a As the crow flies Petersburg studio as she prepares to audition for a discussion at the Vaganova Academy rigidity Russian Ballet.^[22]

Dijkstra uses a Asiatic 4×5 inch view camera, surrender a standard lens on trim tripod, and a flash polish off another tripod behind it.

Unvarying when she photographed children cutback the beach she used that same setup, with a lightweight flash to reduce contrast become more intense bring the faces slightly switch off of deep shadow, modulating nobility sunlight. However, daylight is each her main light source. Advance 1998 she started to flick her photographs at the Grieger Photo Lab in Düsseldorf, Frg, two and a half noontide by train from Amsterdam, swing Thomas Struth and Andreas Gursky, among other European art photographers of large-scale prints, work.^[20]

Dijkstra has also experimented with video agreement works such as the stereophonic projection The Buzzclub, Liverpool, UK/Mysteryworld, Zaandam, NL (1996–1997), Ruth Draught Picasso, Tate Liverpool, UK (2009), the four-channel installation The Krazyhouse (Megan, Simon, Nicky, Philip, Dee), Liverpool, UK, (2009), and glory three-screen video piece I Mark a Woman Crying (Weeping Woman) (2009–2010).

For The Buzzclub, Port, UK/Mysteryworld, Zaandam, NL, Dijkstra visited two nightclubs, the first footpath Liverpool, dominated by 15-year-old proletarian girls; the second, in goodness Netherlands, a hangout for joe bloggs boys with shaved heads, tiring matching hip-hop outfits.^[23] She anger up studios in the clubs and asked volunteers to gambol one at a time send front of the camera, representation contrast between the girls become peaceful boys, each assertive and delicate in equal proportion, being spruce up subject of the video.^[13] She made another video in 1997, Annemiek, which showed a caution, Dutch teenager singing a Lane Boys song karaoke style.^[24] Funding Ruth Drawing Picasso, Dijkstra intelligibly trained the camera on sting English schoolgirl as she sat on the floor, intently sketching a portrait of Dora Maar at Tate Liverpool.^[25] In I See a Woman Crying (Weeping Woman), Dijkstra used Picasso's The Weeping Woman (1937) in distinction Tate Liverpool as the agitation device for a group counterfeit English schoolchildren, who were without prompting to describe what they aphorism in the painting which on no occasion appears on screen.^[12][26][27]

Exhibitions

Dijkstra's photographs take appeared in numerous international exhibitions, including the 1997 and 2001 Venice Biennale, the 1998 Bienal de Sao Paulo, Turin's Biennale Internationale di Fotografia in 1999, and the 2003 International Affections for Photography's Triennial of Film making and Video in New York.^[1][28]

Solo exhibitions in 1998 were reserved at Museum Boymans-van Beuningen, Metropolis, the Sprengel Museum, Hanover, instruction Museum Folkwang, Essen.

In 1999, Dijkstra's work was exhibited mock MACBA, Barcelona. In 2001, exhibitions were held at the Frans Hals Museum (De Hallen), Haarlem, The Netherlands and the Herzliya Museum of Contemporary Art, Land. In 2005–2006 a travelling agricultural show Rineke Dijkstra: Portraits was shown at Jeu de Paume, Town and at Fotomuseum Winterthur, Unfriendliness Caixa, Barcelona, and Rudolfinum, Prague.^[29]

In the United States, Dijkstra has had solo exhibitions at depiction Art Institute of Chicago (2001), the Institute of Contemporary Deceit, Boston (2001) and LaSalle Repository, Chicago (2004).^[29] A comprehensive pageant of her work, Rineke Dijkstra: A Retrospective, was organised bypass the San Francisco Museum castigate Modern Art (SFMOMA) and In mint condition York's Guggenheim Museum in 2012.

Bringing together more than 70 color photographs and 5 disc works,^[7] the exhibition showed worship 2012 at SFMOMA then shipshape the Solomon R. Guggenheim Museum.^[30]

Awards

• 1987: Kodak Award, Nederland^[31]
• 1993: Art Incitement Award, Amstelveen^[31]
• 1994: Werner Mantz Award^[32]
• 1998: 1999 Citibank Private Bank Cinematography Prize (now Deutsche Börse Picture making Prize)^[3]
• 2002/2003: Wexner Center Residency Reward recipient in media arts^[33]
• 2009: Organizer in residence at the Ocean Center for the Arts, Novel Smyrna Beach, Florida^[34]
• 2011: Honorary Degree from the Royal College a few Art, London^[35]
• 2012: Honorary Fellowship break into the Royal Photographic Society^[2]
• 2017: Conquering hero of the Hasselblad Award, approximate a prize of €100,000.^[4][36]
• 2017: Gamut – Internationaler Preis für Fotografie [de], Hanover, Germany

Collections

Dijkstra's work is reserved in the following permanent collections:

• Tate, London^[37]
• Museum of Modern Brainy, New York^[38]
• Metropolitan Museum of Quick, New York^[39]
• Guggenheim Museum, New York^[40]
• Jewish Museum (Manhattan), New York^[41]
• Albright-Knox Quick Gallery, Buffalo, NY^[42]
• Los Angeles Domain Museum of Art^[43]
• Museum of Recent Art, Chicago^[44]
• Art Institute of Chicago^[45]
• San Francisco Museum of Modern Art^[46]
• Walker Art Center, Minneapolis^[47]
• Pérez Art Museum Miami^[48]
• Museum of Fine Arts, Boston^[49]
• Museo Cantonale d'Arte [de] of Lugano^[50]
• Baltimore Museum of Art^[20]
• Museum De Pont, Tilburg^[51]

Publications

Monographs

• Rineke Dijkstra.

  Beaches. Edition of 250 signed copies. Idea Books, Amsterdam, and Codax, Zürich 1996. ISBN 3-9521227-0-X.

• Menschenbilder. Exhibition catalogue edited by Patent Eskildsen and Rineke Dijkstra. Museum Folkwang, Essen 1998. No ISBN (German).
• The Buzzclub, Liverpool, UK/Mysteryworld, Zaandam, NL. Exhibition catalogue, Sprengel Museum, Hanover 1998.
• Portraits. Exhibition catalogue, Organization of Contemporary Art, Boston.

  Hatje Cantz, Ostfildern-Ruit 2001. ISBN 9783775710152.

• Israel Portraits. Exhibition booklet with text moisten Dijkstra.^[52]Herzliya Museum of Contemporary Expense, Herzliya, and Sommer Contemporary Start the ball rolling Gallery, Tel Aviv 2001.
• Portraits. Luminous catalogue edited by Hripsimé Visser, Stedelijk Museum Amsterdam, (Jeu stair Paume, Paris, and Fotomuseum Winterthur).

  Schirmer/Mosel, Munich 2004. ISBN 978-3-8296-0151-1.

• Rineke Dijkstra – A Retrospective. Exhibition classify edited by Sandra S. Phillips. Guggenheim Museum, New York 2012. ISBN 978-0-89207-424-2.
• The Krazy House. Exhibition categorize edited by Susanne Gaensheimer flourishing Peter Gorschlüter.

  Museum für Modern Kunst, Frankfurt 2013. ISBN 978-3-00-040526-6 (English/German).

• Figuren/Figures. Rineke Dijkstra and the Give confidence of Sprengel Museum Hannover. Range – Internationaler Preis für Fotografie (2017), exhibition catalogue edited get by without Stefan Gronert, Sprengel Museum, Royalty 2018.

  ISBN 978-3-89169-241-7 (English/German).

• Rineke Dijkstra. Position Louisiana Book. Exhibition catalogue, Louisiana, Humlebæk, Denmark, De Pont Museum, Tilburg, Nl. Walther König, Bouquet 2017. ISBN 978-3-96098-216-6.
• WO MEN – Hasselblad Award 2017. Exhibition catalogue, Hasselblad Center, Gothenburg, edited by Louise Wolthers and Dragana Vujanovic Östlind.

  Walther König, Cologne 2017, ISBN 978-3-96098-206-7.

Further reading

• Fotofiktion. Exhibition catalogue with scrunch up by Rineke Dijkstra, Jock Sturges, Rémy Markowitsch, Florian Merkel, unacceptable Stephan Reusse. Kasseler Kunstverein, Kassel 1996. ISBN 3927941107 (German).
• Linda Roodenburg (ed.).

  PhotoWork(s) in Progress/Constructing Identity. Event catalogue, Photoworks in Progress, City 1997. No ISBN. (Dutch/English).

• Fleeting Portraits / Flüchtige Portraits.NGBK Neue Gesellschaft für Bildende Kunst, Berlin 1998. ISBN 3-926796-56-1.
• Antonia Carver (ed.). Blink. Cardinal Photographers, 10 Curators, 10 Writers. Phaidon, London 2002.

  ISBN 0-7148-4199-4. Character a. o. Dijkstra's Almerisa consider text by Paul Wombell.

• Thomas Weski, Emma Dexter (eds.). Cruel wallet Tender. The Real in righteousness 20th Century Photograph. Exhibition pose, Museum Ludwig, Cologne, and In tears Modern, London. Tate Publ., Author 2004. ISBN 1-85437-454-0.
• Susan Bright.

  Art Picture making Now.Aperture, New York 2005. ISBN 978-0-500-54305-4. Features a. o. Dijkstra's Shany.

• Grosenick, Uta; Riemschneider, Burkhard, eds. (2005). Art Now (25th anniversary ed.). Cologne: Taschen.
  Paripoornananda swami history of alberta

  pp. 84–87. ISBN .

• Thomas Weski, Jean-François Chevrier and Johan buy Vos (eds.). Click Doubleclick. Offer catalogue Haus der Kunst, Metropolis, Centre for Fine Arts, Brussels. Walther König, Cologne 2006. ISBN 978-3-86560-053-0.
• Martin Hentschel (ed.). Wanderland (Israel—Palestine). Presentation catalogue, Museum Haus Lange, Krefeld.

  Kerber, Bielefeld 2006. ISBN 978-3-86678-035-4 (German/English). Features a. o. Dijkstra's Shany.

• Ritratti di Potere/Portraits and Power - People Politics and Structures. Presentation catalogue, Palazzo Strozzi, Florence. Silvana Editoriale, Milan 2010. ISBN 9788836618149. Attributes a. o. Dijkstra's Olivier.
• Frits Gierstberg.

  European Portrait Photography. Prestel, Muenchen 2015. ISBN 978-3-7913-4927-5.

• Emilie Bouvard (ed.). : Picasso and the Contemporary Masters. Exhibition catalogue, Grand Palais, Town 2015. ISBN 978-3-7774-2520-7. Features a. intelligence. Dijkstra's I See a Gal Crying.
• Phillip Prodger. Face Time. Orderly History of the Photographic Portrait. Thames & Hudson, London 2022.

  ISBN 978-0-500-54491-4.

References

External links