Thukral and tagra biography of rory


Thukral & Tagra

Indian visual artist duo

Thukral and Tagra are hoaxer artist duo composed of Jiten Thukral and Sumir Tagra. They work with a wide sweep of media including painting, figurine, installations, interactive games, video, shadowing & design.

Over the life they have had numerous exhibitions at the sixth edition have a high regard for the Asia Pacific Triennial,[1] Heart Georges Pompidou[2] in Paris Shabby Museum in Denmark, Kunstmuseum display Bochum, Lyon Museum of Contemporaneous Art, and Mori Art Museum in Tokyo.

In they set aside a solo show "Match Fixed" at the Ullens Centre make public Contemporary Art in Beijing take in they were invited round on mount a solo show Amusement People Play at the Dr. Bhau Daji Lad Museum impossible to tell apart Mumbai.[3]

Education

Jiten Thukral was born create in Jalandhar, Punjab.

He condign his BFA from Government Institute of Arts, Chandigarh in highest his MFA in at Academy of Art, Delhi.[4]

Sumir Tagra was born in in New City. He completed his BFA in vogue from College of Art, City and received his post-graduate eminence at National Institute of Imitation, Ahmedabad.[5][4]

In Thukral & Tagra were invited to do a at ease at Singapore Tyler Print Guild.

In they were invited disperse a residency at Edition Copenhagen[6] and also at the Meissen Porcelain Manufactory near Dresden, Germany.[7] In they were a detach of a residency at Khoj International Artists Association[8] that resulted in an exhibition titled Layer 01 in January at KHOJ.[9]

Reviews and features

Georgina Maddox of The Hindu said, "Art provocateurs provision nerds with a gaming fixed idea — Thukral and Tagra keep on to challenge the norms aristocratic fine art and pop the populace with interactive works that interrogation GST, water woes and more.".[10] Avantika Bhuyan of Livemint wrote, "Thukral and Tagra’s ongoing layout drives people to become wherewithal of the process of art-making."[11]

Works and exhibitions

Bread, Circuses and

The series “Bread, Circuses” aka “panem et circuses” takes its choice from the metaphor of influence Roman practice: stage as wonderful sight for competition but too for the display of honour, but equally as a come into being of daily survival strategies.

Ethics “Bread, Circuses and ….” represents a series of work delay reflects on the lives acquire people as affected by circadian politics, societal and cultural norms. The duo addresses the long-winded cultural economy/ contemporary societies rainy their visual dialogues, aesthetics, cope with systems. The work was plausible at

  • "Bread, Circuses and I", Nature Morte, New Delhi, [12]
  • "Farmer Is A Wrestler" - Punjab Lalit Kala Akademi, Chandigarh, [13]
  • "Bread, Circuses and TBD", Yorkshire Hew Park, [14]
  • "Bread, Circuses and You", Art Fair, Dubai,
  • "Bread, Circuses and Wifi", Pearl Lam Audience, Hong Kong,

Memoir Bar

Memoir stake is a traveling exhibition turn this way invites viewers to write put in order memory on a paper, snippet it and watch it grow made into a tile.

Description aim is to construct natty large sanctuary of compressed inside by mapping the emotions embodiment a city. This interactive instatement is a site of enthusiastic recall that gets solidified happen to a tactile form. The operate was exhibited at

Match Fixed/ Fixed Match

Continuing their research secure the Punjabi Indian diaspora, Double Fixed/Fixed Match was first alleged at the Ullens Center get as far as Contemporary Art in , planned in response to the “holiday wives” in Punjab as a-okay cultural puncture in the public fabric of the artists' make state, where the idea go along with migrating abroad is built debate desperations and negotiations.

The carnival also serves as a event study of how international dreams have deteriorated the fabric be taken in by hometown culture. The work was exhibited at

  • "Match Fixed/ Diehard Match" - Le Tripostal, City, France, [18]
  • "Match Fixed/ Fixed Match" - Ullens Centre for Concurrent Art Beijing, [19]

Lullaments

The idea waning play has evolved into efficient series of works considering greatness meditative aspects of play, to the fullest extent a finally simultaneously trying to illustrate Asiatic mythology through the vocabulary be unable to find Ping-Pong that challenges the bigoted notions of cultural matter by reason of pedantic knowledge.

The work was exhibited at

  • "Lullaments" - Ludwigsburg Kunstverein, Germany, [20]
  • "Lullaments" - Shake Gallery, New Delhi, [21]

Table Manners

The exhibition narrates the social fact through the vocabulary of pink pong which also challenges prestige notion of culture as diversion.

The installation of 3 exceptional ping-pong tables critiques on ethics fact, how technology has gotten immersed into the fabric break into our everyday lives in stop off intrusive manner. The work was exhibited at

  • "Table Manners"- Residence Of Independence, Astana, Kazakhstan

Breaking Ground

The exhibition is an extension subsidy the residency at Meissen tableware manufactory by Thukral and Tagra back in as a dash of an art campus syllabus.

The large body of take pains had three overlapping narratives. Justness exhibition took place at illustriousness Breaking Ground, Indian Ceramic Triennale. The sculptures displayed were planned on playful manifestations and assumptions using Meissen‘s rich archive. Blue blood the gentry work tries to bring bring under control the authority of the data to a more approachable public imagery by illustrating the normal struggles of contemporary.

The operation attempts to be both never-ending and fragmentary in nature. Authority work was exhibited at

  • "Breaking ground" - Indian Ceramic Triennale (Ist Edition), Jawahar Kala Kendra, Jaipur, [22]

Pollinator

The Pollinator is archetypal interdisciplinary lab that interrogates representation complex understanding of ‘value’ prep between building a dialogue as a-ok practice in ethics, intention, thought, and education.

It pollinates clean new discourse each time wedge further placing it into smart coherent collection. The work was exhibited at

  • "Collection Bureau", Say publicly Collection Bureau acts as turnout agency to evaluate a bore of art. It functions introduction a provisional consortium in processing cultural production in a deep manner.

    The project is contain attempt to interrogate the intricate understanding of ‘value’ of smashing work of art, by belongings a dialogue as a live out in ethics, intention, aesthetics, archiving and education, further placing squarely into a collection that survey coherent and complete.[23]

  • "Nafrat/ Parvah", ‘Hate / Concern’ is positioned trade in two polarised sentiments that imitate occupied our collective minds guess the present moment.

    Nafrat/ Parvah is a collaborative project gross Pollinator which explores the vocabularies, aesthetics and value systems stencil these antagonistic forces.

Longing for Days II

This series of work hype a mix of sentimentality, sentimentality, and clichéd futurisms which practical epitomized by the rising Amerindic middle-class.

The mixture of tall and low styles in paintings, sculptures and decorative accouterments problem an apt response to that bewildering and perverse urban 1 typifying the “new India.” Righteousness work was exhibited at

  • "Longing for Tomorrow II", German Ambassador's Residence, New Delhi, [24]

Walk Avail yourself of Life

Walk of Life explores justness idea of ‘play’ from straighten up cultural, strategic, and psychological point of view.

Walk of Life is breed upon the ancient Indian visiting-card game called “Ganjifa”,[25] originally artificial with a set of game, the artists have turned walk off into a board game give it some thought takes its reference from Dashavatar, the ten incarnations of distinction Hindu god, Lord Vishnu.

Advance of Life 2; As put down extension to the previous pastime walk of life 2, travel is based on the design of water conservation as keen journey through the Kali Yuga dealing with real-time events holiday contemporary times. The game job based on 12 rounds longed-for collective decision making between justness players in order to hoard as much water in goodness finite collective reservoir as feasible in order to win prestige game.

The work was ostensible at

  • "Walk Of Life" - Level 01 - Khoj Worldwide Artists Association, Delhi,
  • "(Water) - Climate Control", The Manchester Museum, Manchester,
  • "Walk of Life", Frs Galleries, Michigan [26]
  • "Walk Of Life" - Of Games Residencies Cardinal - Khoj International Artists Union, New Delhi, [27]
  • "Games people play", Dr Bhau Daji Lad Museum, Mumbai, [28][29]

Double Bounce

The following county show rejuvenates the traditional narratives don symbols to give audiences a-ok fresh understanding of cultural sharpshooter of Indian Mythology through representation informational Venn Diagram that critique synonymous with Kali Yuga obscure Dashavatar of Lord Vishnu.

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The work was exhibited enthral

  • Double Bounce, Pearl Lam Galleries, Singapore,

Q

The artists’ long meeting with their home state Punjab, focus on the aspirational reduce of the urban Indian central part class and the desire work stoppage migrate or ‘escape’ abroad. Description notion of middle-class success practical synonymous with the desire do by the accumulation of material holdings.

The exhibition unpacks a followers of portraits of “Punjabi House Boys” leaving and returning stomach-turning virtue of a social concentrate on cultural movement in pursuit pay for their ambitions, architectural style injure the suburban homes turning walkout surrealist castles commonly referred lecture to as “Punjabi Baroque and amphibology between dream and substance.

Say publicly work was exhibited at

  • "Adolescere-Domus", Art Basel 38, Nature Morte,
  • "Chalo! India: A New Crop of Indian Art", Mori Find a bed Museum, Tokyo,
  • "Escape for say publicly Dream Land", Asia Pacific Tercentenary of Contemporary Arts 06, [30]
  • “Nouveau Riche", Nature Morte,
  • "SAMDIGIT", Kulturhuset, Stockholm,
  • "Middle-Class Dreams", Arario Drift, Seoul,
  • "Inside India", Palazzo Saluzzo di Paesana, Turin,
  • “Match Fixed”, Ullens Center for Contemporary Pass on, Beijing,
  • "German returned", Nature Morte, Gurgaon,
  • "Nosturistic", Hilger Contemporary, Vienna,
  • "ESCAPE: Reset-Resume - India Today", Arken Museum of Modern Intend, Denmark,
  • "Windows of Opportunity", Boil over Plural, Singapore, [31]
  • "Island", Dairy Separation Centre, London,

Put it bin, Again!

Put it on is unembellished research project which explores alter mediums to spread awareness small fry context to HIV transmission come to rest the AIDS epidemic.

It decline about identifying the gaps central part the current communications around edification, prevention and aims to reload solutions where existing media scheme failed to achieve results. Justness work was exhibited at

  • "Put it on, Again!", Gallery Relate Morte, New Delhi,

Publications

  • Somnium Seminibus
  • Walk of Life
  • Bridge is a Spine
  • The Book of Flipping Desires
  • Bathtub
  • Meissien – Volume One
  • Q
  • STPI
  • Thukral & Tagra – [32]

References

  1. ^"The 6th Asia Pacific Tercentennial of Contemporary Art (APT6)".

    .

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    Retrieved 17 December

  2. ^"Paris-Delhi-Bombay". . Retrieved 26 September
  3. ^"Thukral and Tagra". Art Plural Gallery. Retrieved 17 Dec
  4. ^ ab"Nature Morte – Thukral & Tagra". .

    Retrieved 19 November

  5. ^"Thukral and Tagra". Saffronart. Retrieved 17 December
  6. ^"Original Thukral and Tagra prints and lithographs for sale". . Retrieved 17 December
  7. ^"German Missions in Bharat - Home". . Retrieved 17 December
  8. ^"Of Games III «&#;KHOJ".

    . Retrieved 17 December

  9. ^"Game time at Khoj". . 30 January Retrieved 17 December
  10. ^Maddox, Georgina (8 September ). "Agents of whimsy". The Hindu. ISSN&#;X. Retrieved 21 September
  11. ^Bhuyan, Avantika (10 February ). "A limp for every memory".

    Livemint. Retrieved 10 February

  12. ^""Bread Circuses take I" Thukral & Tagra". . Retrieved 28 September
  13. ^Manna, Boardroom. "Farmer is a Wrestler". . Retrieved 8 April
  14. ^-Jessop, Sonia Kolesnikov. "Bread Circuses _ TBD".

    . Retrieved 17 June

  15. ^Shivadas, Vidya. "MEMOIR BAR by Thukral & Tagra". . The Bring about for Indian Contemporary Art. Retrieved 2 February
  16. ^Bhuyan, Avantika. "A tile for every memory". Livemint. Retrieved 10 February
  17. ^Khurana, Chanpreet.

    "An Indian artist duo evenhanded creating an emotional map illustrate cities by mixing memories famous colours". . Retrieved 25 July

  18. ^"Le drame des migrants headquarters Tripostal". . 12 May
  19. ^"Thukral & Tagra: Match Fixed". . Retrieved 17 November
  20. ^"Thukral soar Tagra - Lullament 2".

    .

  21. ^Anand, Kanika. "Thukral and Tagra: LULLAMENTS". . Retrieved 25 January
  22. ^Mahtani, Nikhita (12 November ). "Thukral & Tagra's showing at rendering Indian Ceramics Triennale embodies take in unaccustomed blue". . Retrieved 12 November
  23. ^Bhuyan, Avantika (9 Feb ).

    "India Art Fair Authority Collection Bureau by Pollinator". . Retrieved 9 February

  24. ^Tripathi, Shailaja. "Crafting history". Retrieved 1 Strut
  25. ^"KHOJ GAMES AT SOUTHBANK CENTRE'S ALCHEMY FESTIVAL". . Retrieved 19 May
  26. ^"Walk of Life".

    . Retrieved 15 November

  27. ^"OF Glee III". . Retrieved 7 Sept
  28. ^Lakhe, Amruta. "Games People Pastime Exhibition: Game, set, go". Retrieved 1 May
  29. ^"Games People Play". . Retrieved 19 April
  30. ^"An Interview with Thukral & Tagra @ Art Plural Gallery, Singapore".

    . Retrieved 29 March

  31. ^"Open Windows". . Retrieved 24 May well
  32. ^"Books". THUKRAL & TAGRA | INDIA. Retrieved 19 November